
Project Background
While I was immersed in my thesis research on American quilting, I came across the feed sack fabrics of the 1930’s-1950’s. I was delighted by the colorful, lively patterns that the feed and flour companies began printing all over their packaging as an incentive to purchase. After using the contents, women would be able to recycle the feed sacks by making them into quilts, clothes, toys, and decor for their homes. I was struck by the sustainability factor of this idea as well as the huge variety of patterns which were created for these simple products. One of my favorite aspects of the patterns was that they were often created around basic, functional items like chairs, phones, and lamps, and there was a sense of fun and joy in each design.
These emotions are what I aim to evoke with my fabric collection, Threadbare. I wanted to design fabric which would pay homage to the designs of feed sack fabrics, but which would have personal meaning to me. The hero pattern of my collection, “Grandma’s House” is inspired by items in my own grandmother’s house, like the cuckoo clock above her kitchen table. Each object in the hero pattern holds a memory which, although personal to me, will hopefully spark similar memories from each person who sees it.
In total, there are nine different patterns in the collection, each one on a light blue and a dark blue background. The colors I chose for the palette were directly inspired by the colors of the feedsack fabrics I looked at in my research. I illustrated each pattern motif in Procreate and printed them via Spoonflower on cotton fabric. I then constructed a quilt to showcase the entire collection.
The name of the collection, Threadbare, is meant to honor the heirloom quilts and fabric items that many of us hold dear. The idea is that although these items may be old and physically worn, they are still much loved pieces of hard work, history, and relationships. My hope is that the collection will inspire makers to create their own heirlooms.
Quilting: An Overview
American quilts designs have been closely intertwined with cultural, social, and political history but often go unrecognized as a form of artistic expression, or for their valuable documentation of American culture. The steady and increasing interest in sewing, sustainability, and textile and fiber crafts in recent years make it all the more important to understand the craft’s background. A recent survey found that there are currently between nine and eleven million active quilters in the U.S. and Canada, and the value of the quilting market is expected to reach $5,000,000,000 by 2027.
Of course, the reasons that women have chosen to quilt vary, but often fall into several common categories: economic need, wellbeing/creative expression, and community/social connection. In fact, studies have found that economics were the primary reason that women during the mid-twentieth century sewed at home. Additionally, studies have found that women in the mid-twentieth century who sewed at home for reasons other than absolute necessity perceived their work as a form of creative expression. Sewing not only gave women the chance to be productive and creative, but also allowed them to obtain items like clothing which they otherwise would not have been able to afford.
Historically, Quilting Bees are one example of the way that quilting enabled social interaction. These events were collaborative occasions where women would work together to assist a quilt maker in stitching her quilt. The activity allowed groups of women an opportunity to talk for hours while they worked, somewhat of a luxury in a time when they often went long periods without socializing.
Quilts are more than the sum of their parts; more than a collection of fabric pieces. They are windows into history, showing us how their makers lived, thought, and felt. Quilting allowed women to take ownership over something, and to pass on their knowledge to others. They provided for their families and, importantly, expressed their creativity when they might not otherwise have been able to. The social aspects of quilting gave women an outlet and improved their wellbeing. Most of all, quilts represent connection. Quilts are truly a patchwork of time, of knowledge, and of relationships, where each stitch is representative of a moment in the maker’s life.
Definition of Quilt (Noun): a bed coverlet of two layers of cloth filled with padding (such as down or batting) held in place by ties or stitched designs.
Quilting: The Benefits
In a 2011 study of a quilting group in Scotland, “a range of cognitive, emotional, and social benefits” were found to be related to the process of quilting. There is empirical evidence which confirms that participating in hobbies like quilting actually reduces the rate of cognitive decline in older adults. One of the other benefits as determined by the 2011 study was the ability of participants to reach a “flow-state” while quilting. The authors define flow as “a state of optimal activity enjoyment when an individual is fully immersed in a meaningful and challenging activity causing loss of self-awareness and distortion of time”. Participants of the study described how the concentration required by quilting allowed them to set aside any worries or unpleasant thoughts, which in turn promoted a feeling of relaxation.

The Process
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Finished Fabric Pattern Motifs




Finished Collection Quilt
Interactive Component
There are many examples of historical quilt designs which were made collaboratively by groups of people with the purpose of creating a lasting record of events and relationships. I wanted to invite visitors to create their own quilt blocks and add it to an exhibition quilt. This activity was meant to foster collaboration, creativity, and interaction with other visitors in order to echo the community and sharing of knowledge that women’s quilting groups have and still do provide.
Instructions:
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Start with one of the white cardstock squares as your base
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Choose from the peel and stick patterned paper and/or the colored paper shapes
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Create your composition
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Attach to the cardstock with glue dots
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Decorate however you choose. Please feel free to be creative, there are no rules here. Write, draw, mix, match and leave messages. Don’t forget to sign your artwork!
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Pin onto the wall to add to our collaborative quilt!




Project Video
Project Gallery
Sources
Merriam-Webster. (n.d.). Quilt. In Merriam-Webster.com dictionary. Retrieved October 26, 2024, from https://www.merriam-webster.com/dictionary/quilt
Glassenberg, A. (2024, May 14). The Size of the Quilting Market: Quilting Trends Survey Results 2024. Craft Industry Alliance.https://craftindustryalliance.org/the-size-of-the-quilting-market-quilting-trends-survey-results-2024/
Goggin, M. D., & Tobin, B. F. (2017). "Women and the Material Culture of Needlework and Textiles, 1750 1950 ". In Routledge eBooks. https://doi.org/10.4324/9781315083995
Burt, E. L., & Atkinson, J. (2012). The relationship between quilting and wellbeing. Journal of Public Health, 34(1), 54–59.https://doi.org/10.1093/pubmed/fdr041
Krell-Roesch, J., Vemuri, P., Pink, A., Roberts, R. O., Stokin, G. B., Mielke, M. M., Christianson, T. J. H., Knopman, D. S., Petersen, R. C., Kremers, W. K., & Geda, Y. E. (2017). Association Between Mentally Stimulating Activities in Late Life and the Outcome of Incident Mild Cognitive Impairment, With an Analysis of the APOE ε4 Genotype. JAMA Neurology, 74(3), 332. https://doi.org/10.1001/jamaneurol.2016.3822
Mainardi, P. (1978). Quilts, the great American art. Miles & Weir.
Icons (Sourced from The Noun Project): Flow: Created by iconfield, Accomplishment: Created by Daisy, Cognitive Health: Created by Meaghan Hendricks, Community/Social: Created by Colourcreatype, Relaxation: Created by Narakorn Chanchittakarn, Learning: Created by nangicon, Mental Health: Created by Izwar Muis, Creative Expression: Created by perilous graphic